In 1952, Harry Smith compiled and released hisAnthology Of American Folk Music, made up of 84 American folk, blues, and country music songs. Now, Marisa Anderson is announcing The Anthology Of UnAmerican Folk Music, a project inspired by Smith's private record collection, which she spent 3 years studying.

The Anthology Of UnAmerican Folk Music concentrates on music from places that the US has been in conflict with since 1970, including Southeast Asia, the USSR, and the Arabic and Islamic regions of the world. Each piece on the album stands as a dialogue between Anderson and the original source recording. Anderson’s contribution to this dialogue ultimately invites the listener to join her in asking: “Who are the people we’ve been told in our lifetimes are “unamerican?” What have we all lost or been denied access to in the fallout from that label?”

The Anthology of UnAmerican Folk Music is as much a celebration of music from beyond borders as it is an examination of those borders, real and imagined, that restrict movement and cut people off from one another.




Jim White and Marisa Anderson -Swallowtail -Thrill Jockey Records

An enchanting and illuminating celebration of process as joy. Swallowtail lives at the precipice of slowly unraveling revelation and the thrilling unknown


 



Music From A Perfect Day For Caribou

A spare, sober miracle of score, silence, and speech.-The Film Verdict

2022

75th Locarno Film Festival, Concorso Cineasti del presente

67th Cork International Film Festival

2023

29th Slamdance Film Festival

49th Brussels Independent Film Festival, Winner: Best Narrative Feature Film

32nd Florida Film Festival, Special Jury Award for Singularity of Vision

An estranged father and son spend the day ambling around a cemetery, wandering the wilderness, searching for family, and stumbling through disharmony and heartache.








Still, Here emphatically makes the case for Marisa Anderson’s profound artistry,

an alchemical salve, the work of a gifted player with an exceptional ability to convey the complexities of the human experience through composition.




sparse, dreamy, beautiful…

like fragments discovered on old stones that can be rendered into living music again…











Marisa Anderson and William Tyler mold their instruments into breathtaking panoramas of blight and bliss.

a work of remarkable breadth, brimming with resplendent odes of solace.






The Quickening is an improvised work guided by emotional intuition.

The elegance of Jim White and Marisa Anderson’s highly attuned collaboration lays in each player’s ability to empathically spin their collective experience into music of potent and boundless beauty.










a bit of lazy California winter

crossing paths with a trusted friend, playing guitars and singing old songs. 

They turn both songs into intimate, hushed folk songs, and both covers are true reinventions and truly worth hearing. -Brooklyn Vegan









On Cloud Corner, Anderson’s music is boundless.

an album of remarkably intimate beauty, tranquility in times of turmoil.

one of the most beautiful and transfixing solo guitar recordings in years- Pitchfork